Raimund Forster
“The impressively aesthetic images of the Belgian artist Paul Bulteels do not trigger any digital-compositional association in me, but – as a counterpoint, so to speak – a loud analog cry of rage: “Something has to be changed, more awareness has to be brought into it!” I would like to use the concrete example of senselessly discarded food in containers to draw attention to the scandalous discrepancy between overflowing prosperity on the one hand and at the same time abject poverty and hunger on the other, and to stimulate creative reflection on causes and possible solutions.“

Stefan Fricke
“The aesthetic-technical circular economy of sounds – repetition – has always been a central principle of art sound and sound art production: the same tones, similar sound combinations, rhythmic variations… Nevertheless, the sound invented is usually original and original. This is also true for the work with search-found sounds/noises in everyday life, a sound container of acoustic by-products. Whatever electroacoustically recorded, whether digitally processed or unprocessed – in the art context they become recycled, gladly permanently looped nobilities. No residue remains.“

Dr. Stephan Muschick
“Recycling and upcycling – new vogue concepts from sustainability elites and marketing agencies? Not at all. They are older than mankind itself. After all, in terms of world history, the throwaway society is a relatively new invention and a symptom of capitalism and cheap raw materials. A forming and developing nature without cycles, on the other hand, would be over faster than the first single-celled organisms could form. The circular economy, then, is an essential and overdue attempt to reconcile our human actions with the natural world that surrounds us and on which all life is based.“