Graham Dunning [b. 1981] is self-taught as an artist and musician having studied neither discipline academically. His live work explores sound as texture, timbre and something tactile, drawing on bedroom production, tinkering and recycling found objects. He also creates visual work, video and installations drawing on these themes.
Much of the work evolves through experimentation with different processes: considering the methods by which sounds become music; process as a continuum encompassing both improvisational and procedural methods; and testing analogous processes across different media.
Graham has performed solo and in ensembles across the UK, Europe and Canada, and exhibited in the UK, Europe, New Zealand and USA. He teaches Experimental Sound Art at the Mary Ward Centre in London and also gives various independent workshops. He has released through Entr’acte, Seagrave, Tombed Visions and more.
Mechanical Techno: Ghost in the Machine Music - A development of the Mechanical Techno live show, now using multiple cameras attached to various parts of the setup to show closeups of the mechanisms at work. Mixed live at the same time as creating the music, the visuals act as both an aid to demonstration and psychedelic lightshow.
"The whole set up is enormously precarious and part of the drama comes from the fact that it might all teeter out of sync or collapse at any moment. If the trend in recent dance music has been to artfully engineer a certain wonkiness into an otherwise strict digital framework, Dunning has found the appeal of the precise reverse: struggling to maintain grid-like rigidity in a system inherently antagonistic to it." - The WIRE MAGAZIN